[1]

THE "MAGA-GRAVITY" BAND OF THE ONE FORCE

By the Yada di Shi'ite
With CQC by Meade Layne
and Riley Crabb

Black and white xerographic reproduction of sketch illustration of Williamson's Venusian sandal casts, showing both left and right foot patterns.

"The markings on the plaster casts of the shoes of the Venusian are a symbolic language. In the center of the 'A' shoe (right foot) are two lines crossing one another and converging on the oval design which is a Disc (Flying Saucer). This represents the fact that if, and only when the magnetic forces of the earth are CROSSED can they be made of sufficient power to be used as a driving force. The earth itself generates only a negligible amount of magnetism. But when these lines are crossed they become aligned with two other planets, Mars and Venus -- which is what the two small circles on the left and right side of the crossed lines represent; the one below being the Earth. Venus, Mars and the Earth drawing their magnetic currents from the Sun.

"On the heel of the same shoe is the ancient Swastika, indicating that those of most ancient times knew that the magnetic forces of the Sun, Venus, Mars and Earth moved from west to east between these four bodies."

But the Yada did not say which way the Hooked Cross was turning. After Schauberger we would guess that it is turning clock-wise, concentrating a center of force for the work that is to be done.

"The circle at the far tip of the shoe with a line running through its center is the Sun. The curved lines on either side of both shoes depict [2] the fact that when the magnetic lines of force are crossed they will create a path in which gravity is completely null and void. As all free forces travel in a curved line, it is quite simple to understand how by converging these lines upon one another their separate strength would be amplified; and at the same time an almost complete vacuum would be created in the orbit of motion they once held."

Black and white xerographic reproduction of Mark Probert's painting of the Yada di Shi'ite.

Here we have a suggestion of the sky explosions which have mystified mankind for centuries, vacuums in the earth's atmosphere caused by Flying Saucers changing orbits. At low levels, our aircraft, flying into them, have disappeared into the 4th Dimension.

"All forces are really but one force," continued the Yada, "and that is electronic. Apparent differences arise from the nature of the work the force is committed to. Gravity, for instance, originates from vast fields of invisible matter, a cubic inch of which weighs billions of tons, and somewhere along its curved band it will turn into light; for its parts are principally made up of free electrons seeking to unite with an atom that has lost one of its satellite bodies or electrons. Gravity is 'negative magnetism' until its flow comes in contact with the earth and other bodies in space, then it sets up a positive-negative, push-pull action between the poles of all such bodies. Was gravity not electronic in nature, that which you have today called radio, television, radar and the like, would be quite impossible; for all these do their work in different degrees of what may be called the 'maga-gravity' band of the solar system (magnetic-gravity)."

Xerographic reproduction of Alice Well's sketch of a Venusian saucer pilot.

The foregoing was transcribed by Mark Probert from clairaudient dictation from the Yada di Shi'ite, Dec. 1, 1952. At left is Alice Wells' sketch of the Venusian Saucer pilot who left his instructive footprints on the desert floor near his landed machine. She saw him through binoculars from some distance away, along with other members of George Adamski's UFO research group, including anthropologist George Hunt Williamson. He had the plaster of paris with him from which plaster casts of the footprints could be made, November 23, 1952.

"The story (of the contact) is in the main true," said [3] the Yada. "The Disc did land and Mr. Adamski did carry on a conversation with the operator of said ship. But Brother Adamski was so excited he does not remember clearly all that was said. This particular ship was from the planet Venus. We would like to remind you, however, that the intense heat on that body, due to its proximity to the sun and an atmosphere heavy with carbon dioxide, make it highly unlikely or impossible that beings with the same organic structure as earth-man could abide on its surface. These Venus beings live in the Ether of this planet."

Black and white xerographic reproduction of a photo of George Adamski looking through his six-inch telescope.

This communication from the Yada was to confirm the follow-up news story of the contact which appeared in the Nov. 24, 1952 edition of the Phoenix, Arizona "Gazette", and was sent to us Associates as special bulletin 12-A-52. Here is Meade Layne's story of the incident:

Black and white xerographic reproduction of George Adamski's telescopic photo of a Venusian flying saucer.

"Principles: Dr. George Hunt Williamson, 25, Prescott; Mrs. Williamson, medical technician. A.C. Bailey, railroad employee; Mrs. Bailey. Alice Wells and Lucy McGinnis of Valley Center, California. Mr. George Adamski of the same place. The party had driven to a point about 10 miles east of Desert Center for a picnic lunch. At 1:30 a large cigar-shaped object was seen, hovering motionless, then moving eastward at great speed. [4] Disappeared, then returned. Adamski set up his telescope at a more advantageous point about 1½ miles from the rest of the party. About two hours later a Disc landed about ¼ mile from Mr. Adamski; he made several kodak photographs of it. About 20 ft. in diameter, translucent, silvery finish, portholes, 3 ball-bearings or rollers underneath. The Disc hung 3-4 ft. off the ground.

CONTACT WITH AN E.T.

"Adamski then saw a person motioning to him from a nearby elevation. This person was seen by the rest of the party from a distance, by binoculars (this item not in the Gazette account). 'The man spoke some English and also what sounded like Chinese,' said Adamski. 'He appeared to be about 23 years old, round face, ruddy complexion, gray-green eyes, long sandy hair, red-brown slipper-like shoes, pants tied around ankles, brown jacket.

"Adamski said he inquired: 'This your ship?' Visitor nods. 'What is your purpose here?' Pantomime with arms to mean mushroom-shaped clouds and concern about such clouds. Visitor refused to allow Adamski to enter the Disc. He referred to the cigar-shaped object as a mothership; said that it rode about 500 miles up; said that he came from the mother ship. Said that he came from a planet but he did not say which one. Said that the mother ship could be reached in a matter of seconds. Refused to allow 'any pictures of personalities right now'. Touched palms lightly with Adamski (Gazette says shook hands) then climbed into Disc and took off. Adamski noted a 'young boy or young woman peering out of one of the portholes'. Visitor repeatedly indicated that his footprints had some significance and Dr. Williamson took casts of them. They appeared on hard ground where Adamski's steps left no print at all (not in Gazette story). All seven members of the party agree on the presence of the cigar-shaped craft, of the Disc, of the Visitor, of the footprints, and all six have confidence in Mr. Adamski's account of the conversation."

Our Founder-Director Meade Layne disliked the popular term Flying Saucer and wouldn't use it in his writings. The pictures Adamski took that day on the desert were not good. Better ones were obtained when the craft returned and flew low and slow over his home at Palomar Gardens, December 13, 1952. In the book "Flying Saucers Have Landed" by Desmond Leslie and George Adamski, published by the British Book Centre, New York, 1953, Adamski says that an AF B-36 bomber circled around overhead while the Venusian craft was landed there on the desert. Air Force officers who visited George Van Tassel at Giant Rock later told him that they had been shown motion pictures of the event taken from the circling bomber.

Adamski's old camera used cut film. He had several film holders with him at the desert encounter. The Venusian pilot requested one of them and took it with him. It was returned, thrown out of one of the portholes, when the craft flew over Alice Wells' home at Palomar Gardens at the foot of Mt. Palomar. The big telescope is up on top.

[5]

Black and white xerographic reproduction of a sketch featuring symbols purportedly of Venusian origin.

PHYSICIST GOBBLEDEGOOK FROM VENUS

This is a portion of the "message" impressed on the cut film returned to Adamski. It is supposed to reveal the secret of lift and propulsion of Flying Saucers. Adamski had it reproduced on the dust jacket of "Flying Saucers Have Landed".

There is one familiar symbol the equal armed cross of the four elements, earth, water, air and fire. If the Swastika is turning clockwise the hooks on the ends indicate an outward expanding, centrifugal force. Obviously, space physics is Vortexian Physics, not Atomic Physics.

An Afrikaaner, Basil van den Berg, took up the challenge of the cryptic message above and claimed to have cracked it in a brief article to the British "Flying Saucer Review", Nov-Dec 1962, and to have actually built a Free Energy device from his findings which confirmed the reality of Adamski's contact.

"Prior to my reading his book in 1953," writes van den Berg, "my interest in flying saucers was nil, since I had never heard or read of them before. I was in no position therefore to take sides either for or against. What did arouse my interest was the amazing similarity between Mr. Adamski's photograph of a scout-ship published in his book and a strange object that had trailed my bomber for three hours during World war II. This incident we reported to Intelligence on arrival at base, and subsequently learned that sightings of these strange phenomena had been reported before, but no explanation of what they were could be given.

"On coming to the conclusion that there may be some connection between Adamski's story and my wartime sighting, I took a keen interest in the photograph of the symbolic message dropped to George Adamski by Venusians from just such a craft.

"My opinion was, that if there was any truth in his book and there was a connection with my own sighting, then the symbols would give the answer, one way or the other.

[6]

Black and white xerographic reproduction of Glenn Passmore's diagram of a Venusian Scout Ship.

"From then on I worked for many months trying by every possible means to connect them in some way with a tangible solution. I finally succeeded in discovering the right 'channel' through which the symbols could be interpreted. Here I was on my guard as to whether this was a clever hoax perpetrated by Mr. Adamski or really symbols given to him by beings from another planet . . .

"I wrote to Mr. Adamski and asked for clear prints of the symbols, since the reproduction in the book had lost most of the clarity and detail. On receipt of those prints I settled down to the arduous task of gleaming the information from them to the best of my ability -- little realising the tremendous task that lay ahead. As the years passed by, more and more information was revealed -- information that no being on earth could ever have dreamed up to use as a hoax, for they reveal the fantastic truth of these craft in detail. They reveal the method of propulsion, as well as two powerful magnetic motors, and detailed plans of the interior and exterior of these craft, giving both the large mother ship and the smaller scout-craft commonly known as flying saucers.

"Since the motors alone have not yet been invented on this earth, and since they have been solved through the symbolic message, the big question is: 'Where does the message come from?' Obviously not from anyone on this earth -- that a child can see -- no matter how impressive the scientists may try to be, they cannot deny this, and are misleading the public . . . it is my intention, along with Mr. Adamski, to give to the people of the world that which is rightly theirs.

"It is already too late for any interference from any source whatever, whether it be at the government level or not. This interference was foreseen years ago and consequently plans have in the past been put into operation and carried out in the utmost secrecy throughout the world to counter anyone seeking to prevent these works reaching mankind. When the world has the proof, which is not far off now, Mr. Adamski will once and for all be vindicated."

Van den Berg's optimism must have been stimulated by the feature article on him and his findings which appeared in the April 29, 1962 edition of Johannesburg's leading newspaper "Stem" in which he claimed [7] also to be a contactee. A subscriber to the "Flying Saucer Review", Phillip J. Human, read the article, got in touch with Van den Berg and the two met for a lengthy interview in August 1962.

THE ANTI-GRAVITY SECRET IN BRAZIL!

"We soon found a convenient tea room and sat down in a quiet spot. In my brief case was a copy of the January-February 'Flying Saucer Review' which describes Professor Marcel Homet's amazing discovery in northern Brazil of boulders with engraved symbols which bear a striking resemblance to those of Adamski. I noticed that my friend had brought a bulging folder and a strange gadget which he handed to me for inspection. It was part of a motor he had invented from the decoded Adamski symbols and of which a photo appeared in the September-October 'Review'. It seemed to be made of steel, and I remarked about its weight and the fact that it seemed to be alive!

"He smiled as he said, 'I'm glad you notice that it is alive. Look here are the magnets.'

"Then he described its importance in great detail and opened his files which testified to the enormous amount of work obviously involved in its construction. There were literally hundreds of triangle-like drawings that seemed to fit into a master blueprint. I nodded my head wisely and often, as if taking it all in, but at the same time pitied him as the scientific jargon was falling on incomprehending ears. 'Basil,' I thought, 'you were never safer in your life. It doesn't mean a thing to me.'

"He must have caught on as he suddenly said, 'Now what have you got to show me?'

"He seemed stunned for a moment at the Brazilian hieroglyphics, then exclaimed, 'This is amazing! This is absolutely fantastic! The drawing is upside down, but just look at those symbols!'

"He then produced two prints of Adamski's symbols and I noticed what a vast improvement they were on the one appearing in 'Flying Saucers Have Landed' (By Leslie and Adamski, Werner-Laurie, London, 1953). He then compared Adamski's with Professor Homet's and excitedly drew my attention to numerous points of apparent similarity . . ."

"Stem" wanted a follow-up story when Human notified the paper of the interview with Basil van den Berg. As they left the tea room for the newspaper offices the contactee "explained the three-dimensional aspect of the Adamski photograph and how he was discovering new symbols every time he studied them under a magnifying glass.

"'It seems there is no end to all the details given. What brilliant scientists these Venusians must be to be able to superimpose their symbols over Adamski's photograph (skotography). You know, I worked night and day to break down the code. Often I was tempted to call it quits but yet I pushed on until I found success crowning my [8] hard work. Soon I was constructing the motors. All details were there. I shall never forget the day when the first motor was ready. It functioned perfectly. It was on my birthday. Then I met the Master . . . '

"In due course we were ushered into a spacious office . . . the interview lasted three hours . . . and subsequently appeared the following Sunday. How I wished that every editor of every national newspaper took such an interest in flying saucers in general, and 'Flying Saucer Review' in particular, as did the 'Stem' newspapermen!  . . . to put the reader in the picture also I can do no better than to quote from one of Van den Berg's letters to me:

THE ABSOLUTE NEED FOR EMOTIONAL CONTROL!

"A point I would like to make clear at this stage is the misinterpretation by the editor of 'Stem' regarding my meeting with our Brother. On the first occasion he merely put me back on the right track of interpreting the symbols, since I had wavered and had become confused after five years, during which time the motor had already been completed. The second contact was brief and merely confirmed the first. He brought no sketches of his own as reported, and gave me no help whatever in solving the symbols.

"I repeat: He merely pointed out to me the correct path to follow since I had deviated and had lost telepathic communication with the Master through my own emotions and that was the sole purpose of the visit. Since then I have solved much more, and have gleaned a tremendous amount of knowledge through my own efforts. The Brother has taught me the folly of emotional interference and I have since guarded against it, thus keeping our telepathic channel open and clear.

"My aim is to prove to all and sundry Mr. Adamski's genuineness and that the symbols are not of this world. I could so easily claim these inventions as my own doing without even mentioning the symbols, and not a single soul on this planet would ever be the wiser, not even Adamski!"

In the over twenty years since then we have heard nothing more from or about this South African contactee and efforts by others to contact him have been fruitless. Van den Berg seems to have disappeared. Obviously, his assumption that the financial and industrial world would rush to embrace his Free Energy motors was naive. Just the opposite would be true. The South African MIRO, the Military-Industrial-Religious Oligarchy that runs the country would see to that, backed up by the cabal of International Bankers -- who in turn are guided by a cabal of Fallen Hierarchs from the Great Bear and Orion constellations, Betelguese and Dubhe. You can see it easily on a clear night, as it is the bright star of the front lip of the Big Dipper. Fortunately, other channelings are available to us to "flesh out" the brief glimpse of hyperspace energies given by the Yada in the interpretation of the Venusian sandal imprints and by Afrikaaner Basil van den Berg.



REFERENCES

  1. Leslie, Desmond, and George Adamski. Flying Saucers Have Landed. New York: British Book Centre, 1953. Print. <http://amzn.to/1tFw1OI> [Re-edition: <http://amzn.to/1tBNkPD>]
  2. Van Den Berg, Basil. "My Discovery Will Prove Adamski's Claim." Flying Saucer Review 8.6 (1962): 3-5. Print. [Digital, PDF: <http://www.ignaciodarnaude.com/ufologia/FSR,1962,Nov-Dec,V%208,N%206.pdf>]